Showing posts with label The CW. Show all posts
Showing posts with label The CW. Show all posts

Monday, October 27, 2014

How Jane the Virgin is honoring, not stereotyping Latinas on TV


Diversity on television and lack there of is a constant cadence in media. Whether it's admonishing the absence of it or lauding those paving the way in earnest like Shondra Rhimes, the conversation about having television choices that reflect the society we live in continues to be prominent. That two shows that prominently feature Latinas in primetime in very different ways is so important. Cristela Alonzo with her broad ABC comedy Cristela aligns with more traditional situation comedies that take a page from a stand up comedian's act and builds a show out of it. That it is produced and created by Alonzo is important, because having culturally accurate voices driving content behind the scenes in television is as important as seeing those faces on screen. Cristela leans into the typical stereotypes and misconceptions in order to highlight their absurdity and that is great to see. However, what is happening over on the CW with Jane the Virgin is different and it's special.

On it's face Jane the Virgin, owes its framework to a Spanish telenovela. And truth be told, at first glance the show's plot premise made me worried. I didn't want yet another show that stereotyped Latinas in a way that was not only monolithic, but often degrading. However, there was no denying that I was excited about the prospect of a show that was committed to bringing forth a multi- generational Latina lens to its plot. What I have so terrifically discovered is a show that at first glance appears to be a parade of absurdity and stereotype but is actually blossoming into a funny, thoughtful and entertaining television show filled with characters who are much more than they seem at first glance and who you quickly want to spend time with each week.

The premise, if you haven't heard is simple, Jane discovers she is pregnant due to a mix up of medical charts that results in her being artificially inseminated. To make matters more complicated the father is her boss. The story centers on Jane navigating this colossal stroke of bad luck and the interconnected relationships that play into the pregnancy. There is a fantastical approach to some of the story telling, including a narrator who often serves as a Greek chorus and guide to some of the underpinnings and background of the plot.

Like others have written in the weeks preceding the premier Gina Rodriguez is the heart and soul of the show and she brings an honesty to Jane that makes the silly aspects melt away to understanding that this is a young woman navigating life in deliberate effort to build her identity as more than what is perceived or expected of her. As a Puerto Rican girl growing up in a predominantly white community I remember all too well the challenges of finding my own voice beyond what was presumed of me both in my school and community as well as the embrace of my family. It was often like straddling two very different worlds. It was a balancing act of respecting those who raised me and all they had done while still wanting more for myself. As Jane, Rodriguez brings a vulnerable voice to her character's ambitions and fears hitting a poignant balance of humor and the underlying truths to defining who you are in a world that wants to define you through limitations. Gina Rodriguez may not be playing seven different characters, but what she's achieving on Jane the Virgin is very similar to what Tatiana Maslany is achieving on Orphan Black. Both are balancing a fine line between an absurd premise and bringing truth to a character that the audience is able to forgive the fantastical aspects because the protagonist is grounded in attributes we want to spend time with as viewers. In the case of Rodriguez, her ability to navigate the comedy and drama, often on the turn of a dime, within the show keeps the audience with her. Rather than dissecting the plot, what becomes compelling are these characters journey and how it shapes them within the plot movements. So while I will be curious to watch how the story unfolds, I am more invested in how it evolves the show's characters.

One of the great surprises and under-reported aspects of this show is the performance of Andrea Navedo. As Xiomara, Jane's mother, Navedo in two short episodes has given an unexpected depth and nuance to her character. Xiomara could have easily served as a counterpoint to Jane, or an 'odd couple' mother/daughter team. Instead, the writers and everyone involved took the time to tie this character into an integral part of the show's underlying point. What we see is rarely the whole story and that is why stereotypes are demoralizing. Not because they are untrue, but because they take a piece of truth and hollow it out as though that is all there is of a person. The character of Xiomara offers up the stereotypical single, teenage mother and quickly shows us how insensitive and small minded it is, not only through her actions but in Jane's reactions. Last week offered a wonderful moment on the porch when Jane realizes the pregnancy is not something she can rationalize away. It will change her, no matter what. No one understands that more than Xiomara. What we get as an audience was a fresh take on the advice of parent to child. We learn that Xiomara isn't a woman who is immature. She is a woman who holds onto her youth in order to hold onto her dreams. We watch as a mother advises her daughter to be selfish, to take this time to focus on herself and preserve her own dreams. A woman who as it turns out has been quite selfless when others thought the opposite of her. It is a moment of transparency that displays the very real helplessness we can feel as parents who can not subside our children's pain. And she delivers it all while taking stock in how her own choices may have influenced the moment. Navedo not only delivers, she displays restraint and heartbreak that has contributed to this character quickly becoming my favorite on the show.


There are many reasons to watch Jane the Virgin including the authentic voices of the characters, the cultural respect given in decisions like having Jane's grandmother only speak Spanish and subtitling it for the audience and its humor. In fact, I recommend TVExamined's terrific breakdown of what makes this show worthy of a slot on your DVR. For me, Jane the Virgin signifies so much more. As a TV fangirl and a child who grew up looking for images that reflected myself this show honors my life experiences in a funny, honest way. It honors and values of the strength I grew up seeing each day in the matriarchs that make up my own family. It displays the very real self doubt and reflective blame I sometimes entertain as a single parent and most of all it honors the love, dignity and respect I have for my heritage, my family and the women who helped make me the person I am today. I am a proud Latina who doesn't fit into some simplified box. The women of Jane the Virgin reflect and celebrate that reality and complexity.

It's billed as a comedy, but like most stereotypes that doesn't reflect all the show has to offer. For me, it's simply must see TV.


Sunday, May 19, 2013

SEASON FINALES: Grey's Anatomy and Nikita the oldies but goodies addition


 
Grey's Anatomy
The perennial ABC drama has shown its age over the 9 seasons it has been holding up post on Thursday nights. Many shows have come and gone around it (including shows its creator Shondra Rhimes has been behind). What makes Grey's Anatomy work is the original core characters. We have watched Meredith and Christina mature from the dark and twisted sisters to complicated, driven  doctors capable of being mentors even Miranda 'The Nazi' Bailey would be proud to call her own. When Meredith tells her intern that she likes her, but she loves Alex we see how far this cocky carefree motley crew has come and how they function as a loyal family. The show has seen its share of missteps over the last decade, primarily letting Izzie’s character overstay her welcome and introducing the merger of another hospital.  Rhimes smartly took care of both problems in season 6. A bloodbath shooting rampage that served as a much needed character housecleaning catapulted the show into a positive trajectory and the last three seasons have been among the show’s best. I don't pretend to understand Shonda Rhimes sick fixation with killing off major characters in her season finales, but Richard's electrocution in the closing scene certainly sets us up for the loss of a great patriarch.

What makes Grey's so utterly watchable, even in the face of some of their most outrageous storylines is that it always manages to touch into the central theme of the struggle to find humanity among these surgeons whose professions beg for them to check it at the door. We leave this season with a great amount of uncertainty, no easy feat for a show that has lasted a decade. All our central characters are facing unchartered territory. Meredith and Derek’s second child, April’s admission to Jackson in the wake of believing he could have died, Christina letting Owen go knowing if they stay together they will never live to be who they really are and Callie discovering not just Arizona’s infidelity, but her lack of forgiveness for the decision to amputate her leg. Richard’s potential death was obvious the moment Jackson emerged from the bus fire. What makes the move interesting is the loss of Richard represents the guardian of this dysfunctional family. While Richard may be the voice in our characters’ heads and Meredith serves as our narrator it is Miranda Bailey who is the show’s soul. Over nine seasons she has remained the moral compass for the many doctors who walk the hallways of Seattle Grace/Grey Sloan. Her story arc in the final four episodes this season reminded us of the strength and fierce acting chops of Chandra Wilson. Bailey’s meticulous nature being called into question when several patients die and her descent into crippling fear around operating was played with heartbreaking truth. Overhearing Richard dress down her professionalism without knowing it was an act only adds to the repercussions of his possible death.

Yes Grey’s Anatomy is over the top. Yes, the show’s storylines can extend well past the realm of reality. However after nine seasons it still manages to tap into a visceral truth in displaying the balancing act that comes with living in a world where life and death is your daily reality. So while Grey’s Anatomy may no longer be ‘must watch TV’ or DVR priority, I look forward to what will likely be its last season next fall. As a show that recovered from a downward spiral it remains an entertaining steadfast drama with solid acting and scripts that in my opinion surpass that of the flashy schizophrenic over marketed sister show Scandal.   

  
Nikita
Everyone has questionable DVR choices. Some people chose bad reality TV, I chose Nikita. Now mind you, I love Nikita and have been a loyal watcher since it premiered. That said I can appreciate why people find the show absurd. However, rather than justify my love I am just going to take a look back at an uneven season that had a great season premiere, a confused and muddled middle and a fantastic season finale setting the table for a final season. 
 
As a fan of the 90s ‘La Femme Nikita’ I have most appreciated the approach this incarnation has taken. We start the series with Nikita on the outside seeking revenge on Division. Slowly over the course of the season she regains the internal connections to what would become the team seeking to unseat Percy and bring an end to underground operation that made her an assassin. We have spent three seasons navigating various layers of revenge and redemption. It’s a high octane, kick ass hour of pure escapism television. When I sit down to watch Nikita I am merely looking to be entertained. Nikita delivers on that promise and has managed to get me to care about the survival of the core six characters. High points of the show included their willingness to kill Percy at the end of season 2. In a nod to the original series I was particularly pleased with the casting the original Madeline as oversight to Division. Lower points have been the rabid, sadistic obsession that Amanda’s character morphed into this season. With six episodes left to wrap up this series, I was glad to see them blow up Division (literally and metaphorically), establish a new enemy that will likely have Amanda caught in the crosshairs and bring us back to where the series began, Nikita on her own. The difference being this time instead of seeking revenge, she is seeking redemption. Redemption, to know she is more than what Division created both during her time inside and since being their pawn. She has something to live and fight for because ultimately Michael, Berkoff, Alex and Ryan are going to be fighting to get her back. It’s been a fun three season ride and I will look for the last 6 episodes to push the accelerator to an explosive conclusion.